When we cut to Shadow in the present-day plot, scenes and lines from episodes past reverberate in his mind - most notably, Mr. Crispin Glover’s anguished whispers are always put to effective work on this show, and for any misgivings I’ve had this season, I’m happy to report he’s never been one of them. “If it’s real in your mind, it’s real in the world,” he eventually proclaims. Soon enough, the New Gods’ mastermind walks through a movie set, spitefully reminding audiences of their love for horror and spinning it in a twisted new light. World, discussing the inevitability of fearing thy neighbor. Scenes of a family taking this all in are interspersed with a monologue from Mr. We start with a broadcast stoking fear of an alien invasion - it’s this show’s interpretation of Orson Welles’ War of the Worlds from 1938, in which we’re left to figure out from a newspaper headline about the Munich Agreement. It’s hard to escape my anxiety over this show’s future when fear is such an overt focus of this season finale from the first frame. ![]() There’s a psychologically unnerving future for this show on paper - but tragically and perhaps inevitably, it now seems doomed to a perpetually hit-or-miss execution of its promising core. ![]() ![]() That was once a beacon of hope for Shadow Moon, but now it holds him back from the love of his life, Laura, and stains his hands with the blood of another lost soul, Mad Sweeney. Conceptually, this is a series committing to a darker expansion of the idea it built a foundation on: the intersection of belief and identity. But the war for this series’ quality has been decided - not in a decisive victory or a crushing defeat, but with a draw. American Gods’ second season has come to an end, with the war between the Old and New Gods in full swing.
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